Mario Pani, Centro Urbano Alemán, Mexico City 1947-49
Architecture is everything. Everything is architecture.
Mario Pani, Centro Urbano Alemán, Mexico City 1947-49
Farnsworth House. Mies van der Rohe. Illinois, Chicago. 1945-51.
A white house with great glass windows surrounded by trees becomes almost transparent when the sun shines. The white walls act as projection screens on which shadows multiply the trees, and the glass plates become mirrors in which the trees are repeated. A perfect transparency is the result; the house becomes part of nature.
László Moholy-Nagy. The New Vision, from Material to Architecture, 1930.
Kitt Peak. Arizona, 1962. Myron Goldsmith/SOM. Photo by Ezra Stoller.
Ben Rose House. James Speyer and David Haid in 1953. Highland Park, Illinois.. (aka; Cameron Frye’s House in Ferris Bueller’s Day Off).
Chandigarh, The High Court, India, Le Corbusier, 1955. Photo by Lucien Hervé.
Aerial view of the New York approaches to the George Washington Bridge (Photo Courtesy Project Sky Count, The Port of New York Authority), in The Nature and Art of Motion, Gyorgy Kepes (George Braziller, 1965).
Sao Paulo Residence, Paulo Mendes da Rocha. 1964.
(Source: uncommoncut, via justagypsy)
Le Corbusier; Le Plan Voisin. Drawing, 1925.
Antonio Bolfo. NYC Projects. 2009.
Ottawa Train Station. John Parkin.
Victor Lundy. Church of the Ressurection. East Harlem, NYC, 1966. Demolished.
John Lautner Arango House in Acapulco Mexico 1973.
Our guiding principle was that design is neither an intellectual nor a material affair, but simply an integral part of the stuff of life, necessary for everyone in a civilized society.
Walter Gropius on the Bauhaus School.
Mies Van Der Rohe. Convention Hall Project, Concept Collage. Chicago, 1954